LATEST ADDITIONS

Hi-Fi Choice  |  Nov 20, 2017  |  0 comments
Electrocompaniet has unveiled the latest additions to its EC Living modular wireless audio range, the Rena series. The Rena SA-1 streamer (above) comes equipped with a Class D amplifier claiming 2x 75W and the built-in DAC supports 24-bit/192kHz files. Costing £610, it boasts wireless speaker connection and includes an optical in, coaxial in and out and a USB port for external storage. For those that already have an amplifier, the Norwegian company has produced the £582 Rena S-1.
Hi-Fi Choice  |  Nov 17, 2017  |  0 comments
Mark Levinson has unveiled two new designs, which can eitherbe brought separately to expand your system or as a pair to create an exceptional pre-power partnership. The £16,000 No 523 preamplifier is claimed to deliver an uncompromising performance regardless of analogue source and comes equipped with a Class-A phono stage, Class-A main drive headphone output and discreet balanced R-2R ladder volume control. It boasts five line-level analogue inputs, two balanced XLRs, three single RCA stereo outputs and a phono input with earthing post. Meanwhile, the No 534 (bottom in pic) dual-monaural power amp delivers 250W per channel (into 8ohm) in Class A (doubling to 500W into 4ohm).
Hi-Fi Choice  |  Nov 16, 2017  |  0 comments
Astell&Kern’s impressive AK70 (HFC 428)has been given a reboot and for just £100 extra nowoffers a dual-DAC design, enhanced amplification, wi-fi connectivity and the ability to also be used as a USB DAC when it’s not playing back hi-res music files. Unlike the original AK70, the MK II version has a Cirrus Logic CS4298 chipset for both left and right channels, offering bit-to-bit playback of files up to 24/192 and DSD128. Its stylish block aluminium casing remains finished in two-tone black with a 3. 3in touchscreen, but now is a fraction larger and weighs 18g more than its predecessor.
Hi-Fi Choice  |  Nov 15, 2017  |  0 comments
Unison Research has launched its Unico 90 integrated amp. Intended to sit under its flagship 150 model, the 90 is a valve and solid-state hybrid with a preamp stage that is built around an Alps volume control and input switching that decouples inactive inputs. The valve-based gain stage uses ECC83 and ECC81 tubes in Unison’s totem pole configuration. These are directly coupled to the output stage, which consists of three pairs of HEXFET output devices to give it a claimed power output of 2x 100W into 8ohm and 2x 160W into 4ohm.
Hi-Fi Choice  |  Nov 15, 2017  |  0 comments
From the moment Rega revived its Planar name with the introduction of the Planar 1, Planar 2 (HFC 415) and Planar 3 (HFC 411) turntables in 2016, it was logical that the RP6 would be in line to join the new order. Rumours of an RP6 successor have been circulating for some time since the Planar 3 arrived over a year ago and anticipation was finally broken with the official announcement of the imminent release of the new Planar 6 in mid- July, much to the excitement of both dealers and Rega enthusiasts alike. On the face of it, the similarities between the Planar 6 and the more affordable models in Rega’s range look to outweigh the differences, but rest assured that the £998 (without cartridge) Planar 6 is rather more than a beefed-up version of its Planar 3 sibling. The new turntable is still an unsuspended, belt-driven design that uses a single-piece plinth instead of the distinctive two-piece design of the continuing RP8 and RP10 flagship decks.
Hi-Fi Choice  |  Nov 15, 2017  |  0 comments
Few symbols of vinyl’s resurgence are quite as potent as last year’s timely introduction of Technics’ Grand Class SL-1200G (HFC 418) flagship and limited edition SL-1200GAE turntables. Based on the DJ-friendly decks that first appeared in the seventies, the original SL-1200 ceased production due to financial pressures back in 2010, and sparked protests from loyal fans around the world. It seems Panasonic was paying attention because the iconic SL-1200 returned in redesigned form last year and was widely recognised as a significant jump up from the original classic – but then with an asking price of £3,000 it really ought to be. Apart from the obvious cosmetic differences, the silver SL-1200GR and black SL-1210GR are essentially the same.
Hi-Fi Choice  |  Nov 15, 2017  |  0 comments
“A whole new thing”. That’s what a car magazine colleague called McLaren’s P1 hybrid hypercar when he experienced it for the first time. In fact, so frequently were his usual ‘supercar’ frames of reference being pulled out of shape or simply blown apart as he drove it round the Yas Marina Grand Prix circuit in Abu Dhabi, he couldn’t stop saying it (he was being filmed). It would make an apt strap line for Devialet, the Paris-based high-end audio brand.
Hi-Fi Choice  |  Nov 15, 2017  |  0 comments
It is hard to believe that it is now over a decade since Q Acoustics first began selling speakers. As a brand developed under the banner of Armour Home Electronics in 2006, it has successfully managed to swiftly migrate from newcomer to become the new benchmark for entry-level speakers (see our Group Test starting on p24). Even when it pushed its designs slightly upmarket with the arrival of its first Concept models in 2014, it delivered speakers that remain some of the best at their price points today. With barely any speaker markets left to conquer under £1,000, it was inevitable that eventually the brand would move more upmarket.
Hi-Fi Choice  |  Nov 15, 2017  |  1 comments
When Chord’s first Hugo portable DAC/headphone amplifier was launched at CES in January 2014, I instantly knew it was special – it looked, sounded and worked like nothing else, and was so good that many bought it to use as their main domestic digital converter, rather than a mere travelling accessory. That’s not to say it was perfect. Enthusiastic early adopters soon got to know its foibles, but it sounded so superb that we learned to live with them. Much as I loved it, the original Hugo had some niggles.
Hi-Fi Choice  |  Nov 14, 2017  |  0 comments
Fresh from updating its Prime family of turntables (Prime Scout HFC 422), VPI has released the Player, its entry-level deck. Builtas a complete solution with a moving-magnet phono stage and headphone amplifier on board, it consists of a non-resonant MDF chassis with an aluminium platter. The 9in tonearm uses bearings rather than the unipivot principle seen on VPI’s more upmarket decks and comes premounted with an Ortofon 2M Red cartridge as part of the £1,500 package. The Player leaves the factoryin a pre-configured condition, meaning owners only need to carry out a very simple setup procedure to start playing LPs.

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