LATEST ADDITIONS

 |  Feb 02, 2015  |  0 comments
On occasions, a design idea that notionally offersthe highest possible performance can fail to deliver on that promise in reality. In theory, a crossover is a considerable impediment to the performance ofa speaker and far less effective than having a single driver reproduce the entire frequency range. In reality, the laws of physics ensure that the single driver speaker has as many issuesas one with a crossover in terms of performance at frequency extremes. This hasn’t stopped Eclipse from becoming perhaps the best known manufacturer of single driver speakers.
Hi-Fi Choice  |  Feb 02, 2015  |  0 comments
Choosing a turntable is never an easy business and often the more you spend the harder and more complex the choices become. After finding your preferred basic deck, you’ve then got to consider what cartridge to go for to complement your tonearm, and which phono stage will get the best out of your cartridge while allowing for upgrades further down the line, all of which makes choosing a CD player seem like child’s play in comparison. That’s why for many a plug-and-play vinyl solution makes a lot of sense, provided the components are carefully chosen and quality prevails over convenience. Step forward New Jersey’s VPI Industries, a company renownedfor its high-end decks usually with four-figure price tags.
 |  Jan 29, 2015  |  0 comments
The small system isn’t a new idea. Indeed, those outside the rarefied climes of separates hi-fi would probably regard it as the norm. After all, do we really need yards of pressed steel casework, acres of cables and multiple power plugs? For that reason alone, since the late seventies when Aurex sold its first microsystem, many folks wanting decent quality sound from a system taking up only a small space have eschewed traditional hi-fi. In the case of the new McIntosh, there’s an extra dimension – if you pardon the pun.
 |  Jan 29, 2015  |  0 comments
There’s something odd about ATC’s SCM40 – it doesn’t look or feel like almost any other loudspeaker in its price class. It’s almost as if someone has forgotten to style it, like they’ve taken three drivers and put them in a box designed to do the job and then gone home. This is in marked contrast to many rivals, which have all kinds of stylistic flourishes. Despite looking rather ‘old school’ – albeit in a timeless sort of way – the SCM40 is actually a new model that came out in 2013, replacing a 2007 design of the same name that looked as if it had been launched in 1988! ATC, it seems, doesn’t pay too much attention to matters of fashion.
 |  Jan 29, 2015  |  0 comments
Famed for producing loudspeakers since the days of the BBC LS3/5A back in the mid seventies, Spendor made vast numbers of the mini monitor as well as offering its own SA1, which shared the BBC design’s tiny dimensions but was turned through 90°. The D1 you see here is the successor – the result is a tiny loudspeaker that’s purposed to deliver extremely high-quality sound. Purists may look on disapprovingly, but the venerable BBC design is virtually prehistoric by modern standards. The D1, however, uses the latest thinking in drive units, cabinet construction and bracing and crossover design – rather than being a rival to the BBC box, it’s the spiritual heir.
 |  Jan 29, 2015  |  0 comments
Once upon a time if you mentioned the words computer and audiophile in the same sentence you would have been chased out of town. Those days are long gone and thanks to hi-res audio downloading there’s now a turf war going on for ownership of your desktop by hi-fi manufacturers eager to cash in with products that deliver maximum sonic satisfaction for those of us who like to listen as we learn or earn. Understanding hi-res formats can be more daunting than deciphering the Da Vinci code in Nooksack, but one thing that is incontrovertible is that owning DSD files and not having an external DAC is like owning an E-type and keeping it in the garage. One such example is the AI-301DA, which boasts a Burr-Brown PCM1795 DAC and an asynchronous USB input.
 |  Jan 29, 2015  |  0 comments
The name says it all. In a Googled-up world that monitors your every online movement in order to better sell you things you want to buy, this new miniature Micromega box catches the zeitgeist perfectly. The MyAmp is your amp, because you’re an individual. It’s something that’s made for you – yes, just you, and everyone else like you! Well alright, I’ll excuse it the rather obvious name, because that’s theonly thing predictable about it.
 |  Jan 29, 2015  |  0 comments
Looking a little bit like a piece of furniture you might find back in a seventies living room housing a radiogram, JBL’s Authentics L16 is anything but old school. The design of this one-box audio systemis actually based on the company’s Century L100 bookshelf loudspeaker and utilises foam grilles similar to those found on the popular seventies model, giving the L16 a retro feel that is very much on trend today. Measuring over 800mm wide, the walnut-veneered unit is a thoroughly modern one-box audio system with more wireless connectivity options than you can shake a smartphone at, including AirPlay for iTunes and iOS, DLNA for Android and Windows devices and Bluetooth – although there’s no mention of the aptX codec. As well as extensive wireless options including Near Field Communication (NFC), the L16 also has two USB inputs beneath the removable top plate for charging devices – sadly wireless charging isn’t available on European models for Qi-compatible devices.
 |  Jan 29, 2015  |  0 comments
Apparently, wireless speaker systems are like buses. No sooner had Elipson’s impressive Planet LW and Bridge system passed through the Hi-Fi Choice review process (HFC 387) than the Audiovector Ki 1 Super Discreet System hovers into view. On paper, the similarities are striking. The Audiovector system comprises a pair of the Ki 1 standmounts and the company’s Discreet hub that form a self-contained system uncannily like the Elipson.
 |  Jan 28, 2015  |  0 comments
Proper hi-fi means piles of separates and reams of cables, right? Not so according to Dynaudio, which introduces a wealth of updates to its active Xeo range to push them further into steadfast audiophile territory. Many audiophiles believe that active speakers offer obvious benefits over passive designs, evidenced by the likes of Linn and ATC as two high-end brands offering active models with equally high-end price tags. Why? Because as well as freeing up some hi-fi rack space, placing a tailor-made amplifier inside a speaker’s cabinet takes the trial and error of amp and speaker matching out of the equation, meaning the sound you get is closer to what the manufacturer had in mind. The Xeo 6 replaces the outgoing Xeo 5 (HFC 376), bringing with it a bunch of new features and improved tech that’s packed into a more compact cabinet.

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