Loudspeakers

Dynaudio Excite X16 This chunky and solidly built Danish speaker has a larger than average main driver Denmark’s Dynaudio operation is one of relatively few brands to enjoy success in both the professional and domestic hi-fi speaker markets – one often notices Dynaudio speakers furnishing BBC TV studios, for example. However, that’s partly due to the high-power handling conferred by the use of extra-large-diameter voice coils on many of its bass/mid drivers. A feature that doesn’t appear to be a part of this new Excite range, which seems to be more obviously oriented towards the price-sensitive home hi-fi marketplace. The X16 sits one rung above the smallest model in the Excite range, which explains why the speaker is a little larger in both volume and main driver than the group average.

Dynaudio has given its active wireless range a makeover, promising more style and performance. Will the Xeo 20 live up to the promise?

On occasions, a design idea that notionally offersthe highest possible performance can fail to deliver on that promise in reality. In theory, a crossover is a considerable impediment to the performance ofa speaker and far less effective than having a single driver reproduce the entire frequency range. In reality, the laws of physics ensure that the single driver speaker has as many issuesas one with a crossover in terms of performance at frequency extremes. This hasn’t stopped Eclipse from becoming perhaps the best known manufacturer of single driver speakers.

It’s Elac Jim, but not as we know it! I have reviewed countless loudspeakers from this established German company over the years, and been impressed by many aspects of the sound, style and design – but the Debut B6 represents a ‘clean sheet’ loudspeaker by a newly hired acoustic engineer, done in a foreign country at a new price point. How’s that for a change of direction? Traditionally, Elac loudspeakers have had a distinctively bright, bracing and detailed sound with a delicate and well resolved treble thanks to the innovative and expensive tweeter. However, the new B6 – designedin Cypress, California – sells at a substantially lower price point than the company’s previous wares – at £299 per pair. For this, says designer Andrew Jones, a completely new approach was required that has meant new, bespoke drive units, careful fettling of less exotic cabinets and a meticulous costing of all the component parts to give the best sound per pound.

There is a school of thought among some loudspeaker buyers that a standmount design is a bit of a waste of time. The reason being that, as long as you aren’t intending to pop said loudspeakers onto a bookshelf, then by the time you have located them in your room and perched them on some suitable stands they take up roughly the same amount of room as some floorstanders, so why not just opt for them in the first place? While things are more complicated than this, you can see the logic.

ELAC's latest 400 series standmount offers a mix of advanced drivers in a svelte cabinet

It is easy to take one look at a product and jump to conclusions about what it was designed to do and the intentions and thinking behind it. One look at the science-fiction prop styling and lustrously shiny finish of the Elipson Planet and you would be forgiven for writing it off as some sort of fancy lifestyle bauble. Two spheres, the size and shape of a steampunk astronaut helmet can only have resulted from a serious need for attention surely? The reality is that, the Elipson Planet is to French broadcasting what the Rogers LS3/5 is in the UK. The Planet has appeared in various versions over the last 50 years.