Loudspeakers

It must be great to be Italian. For all the country’s quirks, it’s one of the richest seams of European culture and so much beauty has come from within its borders. Whereas we Brits can congratulate ourselves for inventing most of the essential tools for modern life – from the steam railway and the jet engine to the worldwide web – Italy has made things of great beauty, in so many forms. The sonnet is one such example – 14 lines of verse in iambic pentameter.

There is a school of thought among some loudspeaker buyers that a standmount design is a bit of a waste of time. The reason being that, as long as you aren’t intending to pop said loudspeakers onto a bookshelf, then by the time you have located them in your room and perched them on some suitable stands they take up roughly the same amount of room as some floorstanders, so why not just opt for them in the first place? While things are more complicated than this, you can see the logic.

Back in 1974, Yamaha released the NS-1000 loudspeaker. A purple period for the company, it seemed to be launching an endless stream of great products. These effectively put Yamaha on the map as a serious hi-fi manufacturer, capable of innovation, superb quality and outperforming its rivals.

Acoustic Energy made a great name for itself back in the late eighties and has gone from strength to strength ever since. Following a recent management buy out, the Gloustershire-based company has a renewed sense of momentum with various new speaker designs – several of which I have sampled – including the AE109 (HFC 425), a highly capable entry-level floorstander from its 100 Series.

The powered speaker market – where a stereo amplifier is built into one of the loudspeakers – has become an increasingly popular area with those seeking desktop music systems. US brand Klipsch is embracing the versatile sector, and the R-41PM is a small powered design that’s closely related to its R-41M passive loudspeaker.

You certainly can’t accuse Sonos of resting on its laurels. The company already dominates the multi-room audio market with its Play range of speakers, and it moved quickly to introduce the new Sonos One (HFC 433) last year, adding support for Amazon’s Alexa voice technology, and pitching it as the “smart speaker for audiophiles”. Now, barely six months later, it’s introducing the Beam, which brings Alexa smart tech to the company’s range of television soundbars for the first time.

When Monitor Audio first unveiled its Studio standmount loudspeaker at the Bristol Show in February, I was genuinely intrigued. Unlike pretty much everything else in the company’s extensive loudspeaker lineup, it doesn’t belong to a wider range of products but is instead a design that, for now at least, exists entirely on its own. It has no claims to multi-channel use or smart home integration and it surprised visitors to the show by debuting early, having been planned to launch at the Munich High End Show in May,but instead beingready in time to be on display at Bristol.