Integrated Amplifiers

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Ed Selley  |  Jun 27, 2011  |  0 comments
Cayin Audio A-55T The name may be new, but the build quality and technology show all the signs of experience Cayin is one brand name of Zuhai Spark, a Chinese hi-fi specialist operation. Its amps are all valve-based designs running the gamut from relatively pedestrian valves, like the KT88 and EL34, to the exotic-looking GU29. This is one of the most comfortingly traditional models in the range, using a familiar line-up of four KT88 valves, plus two each of the ECC82 and ECC83. Like many current pentode/tetrode amps, this one has a choice of operational modes: ultralinear or triode.
Ed Selley  |  May 17, 2011  |  0 comments
High-end challenger Despite just an 11-watt output this gorgeous, retro integrated tube amp is easy to love says our very own ‘golden ears’ Jimmy Hughes How much power is necessary for most kinds of music given an average-sized room? Well, the Consonance Cyber 10 Signature offers just 11 watts RMS at 1kHz, with harmonic distortion rated at about one per cent at seven watts. Frequency response goes from 6Hz to 60kHz (-3dB) at eight watts output and a signal to noise ratio of 87dB is claimed. Input sensitivity is 180mV. These are certainly decent figures, although distortion levels are higher than a typical solid-state design.
Hi-Fi Choice  |  Aug 03, 2023  |  0 comments
Copland's ‘do-it-all’ hybrid amp
Hi-Fi Choice  |  Sep 30, 2024  |  0 comments
The CSA150 integrated is a tube/transistor hybrid that’s so much more than the sum of its parts
Hi-Fi Choice  |  Nov 05, 2019  |  First Published: Nov 04, 2019  |  0 comments
This tube-based integrated offers so much flexibility and performance that it’s actually fantastic value for money at over £6,000
Ed Selley  |  Feb 06, 2011  |  0 comments
Creek Destiny 2 The Destiny 2 is a worthy contender in the upmarket stakes and a sublime performer to boot Creek describes this model as its ‘high-end’ offering: that’s relative, of course, but it’s certainly true that this is the fanciest and most highly specified model ever made by the stalwart of sensible audio that is Creek. It’s a very solid device externally, quite slimline, surprisingly heavy, and very smart, thanks to its use of brushed aluminium for top, front and side panels. Fit and finish are excellent throughout and although it lacks the super-thick front panel that’s the usual fitment for true high-end audio, it otherwise looks the part to an admirable degree. It’s heavy because there’s a lot going on inside.
Ed Selley  |  Nov 30, 2011  |  0 comments
Musical update This Creek amp claims a variety of technical improvements over the original. Richard Black investigates how this works out in sonic terms Rather to our surprise, we find it’s over five years since we first set eyes and ears on the original Creek Evolution amp. Amplifier design may not have made any revolutionary leaps in that time (at least, conventional amplifier design like Creek’s – switching amps have progressed rather more), but it’s natural that a manufacturer would find a few tweaks to apply that could justify adding a ‘2’ to the model name. Extra, extra One of the changes is a practical one, adding an ‘AV direct’ inputwhich bypasses the volume control, allowing the Evo 2 to be used as a power amp.
Ed Selley  |  May 28, 2010  |  0 comments
Cyrus 8xp D - £1,550 Superb amp that tries to cover too many bases Possibly the hardest-working component in hi-fi, the Cyrus case moulding has done some impressive things in its time, but surely few are quite as surprising as hosting six-analogue and five-digital inputs, plus twin pre-out, Zone 2 out (usable as a record output), MC- Bus in/out, headphone socket, PSX-R power supply socket and bi-wire loudspeaker outputs, all on a rear panel one hand-span wide. You do end up needing slim fingers to plug and unplug, but that’s hardly a big deal when kit like this is unlikely to sell to full-on system- tweakers. The digital input provision is particularly appealing. Five inputs (including one USB) is more than you get on any sensibly priced DAC and makes this amp a perfect choice for modern systems with assorted analogue and digital sources.
Ed Selley  |  Feb 06, 2011  |  0 comments
Cyrus 8xpd With its excellent credentials, the shoebox-sized 8xp d is an amplifier to contend with One of the undeniable advantages of surface-mount electronics assembly is that it allows a manufacturer to get more into a given space. The Cyrus one-size-fits-all case is half-width and of quite modest height, but this amp includes one of the biggest mains transformers we’ve seen in an integrated amp. Behind it are the output and preamplifier stages and a most impressive array of inputs and outputs. There are six ‘normal’ analogue inputs, a ‘Zone 2’ output, two preamp outputs, twin speaker outputs on BFA terminals, a mini-jack headphone output, a socket for connection to Cyrus’s popular PSX-R power supply upgrade and no less than five digital inputs: two each optical and electrical and one USB.
Hi-Fi Choice  |  Dec 12, 2023  |  0 comments
Described as featuring “cost no object” upgrades, this Cyrus amp has plenty going for it
Hi-Fi Choice  |  Jul 14, 2022  |  0 comments
This flagship integrated looks extremely similar to the smaller i7, but there’s more here than meets the eye
Hi-Fi Choice  |  Jul 20, 2023  |  0 comments
First there was the ONE, then ONE HD and now the ONE Cast brings network streaming to the party
Hi-Fi Choice  |  Oct 18, 2019  |  0 comments
Denon’s new compact streaming integrated boasts extensive multi-room support
Hi-Fi Choice  |  Sep 28, 2023  |  0 comments
Your lottery numbers have finally come up and you’ve been given free rein to buy your perfect amp. Is this the one to go for?
Ed Selley  |  Sep 27, 2011  |  0 comments
Electrocompaniet ECI 5 MkII Big and powerful, but calm and unfussed almost to a near-Buddhist extent It’s certainly imposing, and its non-standard width of 470mm may require some thought about siting it, but then maybe that’s just indicative of the Electrocompaniet way of doing things – not by anyone else’s book. The company has a long history of being original, going back to the days in the 1970s, when its genesis lay in Matti Otala’s documenting of TID: Transient Intermodulation Distortion. TID is now largely water under the bridge, component and design developments having ensured its demise as an issue in any decent audio amp, but Electrocompaniet continues to take an individual line on audio electronics and has a strong following as a result. Control of the unit is individual, too.

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