LATEST ADDITIONS

 |  Jan 26, 2015  |  0 comments
Driven a new car lately? They’re very good, aren’t they? Even a relatively anonymous, middle priced Eurobox like a Ford Focus is now capable of safe, comfortable long distance travel, and is no slouch around country lanes. It’s economical, nippy and practical, so what’s not to like? Loudspeakers are getting this way too. Having started reviewing them in the mid-nineties, I come across fewer downright bad ones now. Perhaps it’s because we’re a bit further down the road, or up the learning curve, to know how best to design a loudspeaker.
 |  Jan 26, 2015  |  0 comments
It is easy to take one look at a product and jump to conclusions about what it was designed to do and the intentions and thinking behind it. One look at the science-fiction prop styling and lustrously shiny finish of the Elipson Planet and you would be forgiven for writing it off as some sort of fancy lifestyle bauble. Two spheres, the size and shape of a steampunk astronaut helmet can only have resulted from a serious need for attention surely? The reality is that, the Elipson Planet is to French broadcasting what the Rogers LS3/5 is in the UK. The Planet has appeared in various versions over the last 50 years.
 |  Jan 23, 2015  |  0 comments
Challenging hi-fi’s conventions has been at Devialet’s core since the French high-end maker launched its groundbreaking D-Premier amp back in 2010. Concepts including customising settings via an onboard SD cardand online configurator, along with firmware releases ensuring your amp stayed up to date brought fresh thinking to long-term ownership. Devialet’s range has since expanded into four models, and with each comes increased connectivity, power and configuration options. At the heart of all Devialet ampsbeats the same ADH (Analogue Digital Hybrid) amplification, which is a moderntake on Quad’s Current Dumpers of yesteryear that uses analogue Class A voltage amplification working in parallel with digital Class D dumpers.
 |  Jan 23, 2015  |  0 comments
The past few years have been a prolific time for Sonus faber. The company now has a burgeoning range of products; no sooner was the ‘affordable’ Venere range launched than the Olympica popped up at last year’s High End Show in Munich. The II you see here is in the middle of a three-strong range; the I is a standmount, whereas the III is a larger floorstander with an additional bass driver to the II’s existing three. The woodwork is lovely, the detailing exquisite, the finish immaculate – and yet the speaker feels even nicer still.
 |  Jan 23, 2015  |  0 comments
For this writer, one of the most disappointing things about digital audio – and especially CD’s 16/44. 1 specification where the problem seems most acute – is its timing. It just doesn’t quite seem to accurately reproduce all the nuances you hear in music when listening in real time. The major issue to my ears is that if you go to a jazz club to hear Randy Crawford sing, then come back home and play the CD the digital disc just doesn’t have the natural ebb and flow of the live concert.
 |  Jan 23, 2015  |  0 comments
History appears to be repeating itself. The sound of vinyl never really came good until the format looked distinctly over the hill, and now we see the same thing happening with Compact Disc. As DAC technology gets ever better, suddenly we’re finding that the little silver disc is actually capable of really rather fine sound. Digital-to-analogue converters are at last able to properly do the job they were designed for, and CD is finally beginning to sound right.
 |  Jan 23, 2015  |  0 comments
With the exception of REL and other longstanding subwoofer manufacturers, the concept of the 2. 1 system is something that has really only come into its own since the arrival of the sub/sat package in the home cinema boom at the start ofthe millennium. The concept of small speakers that take up little space and are underpinned by a subwoofer that can be tucked away out of sight had advantages for getting a home cinema system into a space that otherwise couldn’t accept one. It didn’t take a genius to see this could be applied to a hi-fi setup too.
 |  Jan 23, 2015  |  0 comments
Buyers have come to know what to expect from the £1,000 price point. Lavishing this sort of sum buys you a physically largish box that is nicely if not luxuriously finished. It gets you a decent set of drive units, and you’d expect to be looking at three per speaker at least – and that’s precisely what you get here. Here’s a three-way, four driver floorstander that’s just over a metre tall when sitting on its plinths (not shown).
 |  Jan 21, 2015  |  0 comments
It’s official, and you heard it here first – we don’t live in the seventies anymore. Like David Bowie, times have changed. He’s no longer the Thin White Duke and the world isn’t buying huge amounts of separates. Life moves on, and so does the way people play music.
 |  Jan 21, 2015  |  0 comments
Now that the CD format appears to be in the twilight of its life Rega has produced one of the most entertaining and enjoyable players I have ever encountered. It’s ironic really that when vinyl was being written off in the eighties folk in the audio business carried on improving and refining turntables and now they are significantly better than they were in the format’s heyday. It looks like something similar is starting to take place with CD. Disc sales are being trampled under the weight of downloads, yet in the last year I encountered the best CD transport ever created in the MSB Data CD IV and now Rega has delivered all the best bits of its phenomenal Isis player in a machine that’ll set you back £1,600.

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