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 |  Jan 21, 2015  |  0 comments
Ever since it was formed in the mid-eighties, Essex-based Ruark has moved with the times. To meet the growing demand for multi-channel in the nineties the company expanded from its original portfolio of stereo speakers, then in the last decade it launched its Vita Audio sub-brand of digital radios. A couple of years ago the decision was madeto cease the production of passive speakers and concentrate on making radios. At the same time the name Vita Audio was killed off with Ruark returning as the brand name under which all the company’s products were sold.
 |  Jan 21, 2015  |  0 comments
If you’re a dyed-in-the-grain hi-fi aficionado, you’ll remember the classic Nytech CTA252 receiveras something of a giant killer ableto better some far more expensive pre-power amp combinations. It was launched by Richard Hay in the early seventies; a man who had served his audio apprenticeship at Radford Electronics. His company made respected, middle-market equipment for around 15 years. Phil Balaam was Nytech’s original test engineer, and worked closelywith Hay, learning every aspect of the company’s fine-sounding designs.
 |  Jan 21, 2015  |  0 comments
If anyone can help drive the take up of hi-res audio among non-audiophilesit’s this Japanese giantof consumer electronics with its premium-brand reputation. The NWZ-ZX1 operates very much like an Android phone with DLNA networking, web browsing, email, YouTube, etc, but without the telephony or texting features. Audiophiles may baulk at this multi-tasking, but such features are largely software based and unlikely to compromise the player’s performance. And by offering these features rather than say an expandable memory slot, digital optical audio output, DSD compatibility or the ability to use the NWZ-ZX1 as an external DAC, Sony is clearly targeting a different type of user.
 |  Jan 21, 2015  |  0 comments
Despite having its finger in many home entertainment pies, the fact that Yamaha continues to plough considerable R&D into dedicated two-channel audio shows how much it values purist hi-fi. This network player also signals a move into newer territory for Yamaha, as its first all-in-one streamer for the UK. The R-N500 sits within Yamaha’s more affordable amplifier range starting with the £200 A-S201 integrated through to the £340 A-S500. These amps, however, are fairly standard fare compared to the R-N500, which is bristling with features drawn from the company’s mainland Europe and USA-facing R-S receiver range, from where the R-N500 inherits its front panel layout.
 |  Jan 21, 2015  |  0 comments
The concept is clear – to make a good speaker great. There are several ways of doing this, the obvious one being to spend large amounts of money on the drive units. A fancy ribbon tweeter here or some expensive carbon fibre mid/bass drivers there, perchance? The other way is to work on the cabinet, and if you think about it, this is even more critical than the drivers, which can’t do their best if they’re spoiled by boomy boxes. In a way, cabinets can do no right, as all they can do is lower the performance potential of drive units by accentuating standing waves – smudging and blurring the sound from inside.
 |  Jan 21, 2015  |  0 comments
And so it goes. The humble Compact Disc player, once a vestigial box with no inputs and a single pairof analogue outputs is increasingly becoming a preamp with a DAC and optical disc transport built in. Gone are the days when it was seen as an end in itself, now it is to all intents and purposes a digital music centre. Creek’s new Evolution 50CD silver disc spinner is precisely this, and costing under £1,000, is being positioned to take on the market leader, Audiolab’s 8200CD.
 |  Jan 21, 2015  |  0 comments
While two-channel audio has been staging something of a fight back of late, the bulk of new product has come from existing manufacturers returning to the category, while new arrivals have tended to be at slightly higher price points than ones we would define as entry level. This makes the duo you see here especially interesting. Not only is Vieta Audio returning to the UK after sufficiently long a period of time that it is new for many people (me included), but the products it is returning with are at the affordable end of the market. The range arriving in the UK is an extensive one.
 |  Jan 21, 2015  |  0 comments
There’s more to life than hi-fi you know, and indeed many consumers are beginning to think the less of it you have, the better. This is heretical stuff to those who grew up during the seventies and eighties, when we were taught that if it didn’t come in umpteen separate boxes, it simply couldn’t be any good. Now, though, suddenly there are all sorts of possibilities presenting themselves. The most obvious example of this is the DAC/preamp.
 |  Jan 21, 2015  |  0 comments
Floorstanding loudspeakers are hugely popular right now, with seemingly more models vying for our attention on a daily basis. It’s a competitive market that has been growing consistently stronger sincefloorstanders first grabbed our attention back in the nineties. Their popularity is a win-win for music fans as the wealth of models means quality is high and prices competitive. It’s fair to say that American loudspeaker companies are often viewed with slightly raised eyebrows in the UK, but here JBL follows more elegant speaker designs rather than the muscular monitors it is better known for.
 |  Jan 21, 2015  |  1 comments
What the world needs now – to quote the great Burt Bacharach – is love, sweet love. Well perhaps, but there’s a sizeable number of consumer electronics companies who think this is no longer quite so pressing, and instead we should all be given network music players to play with. So much so that now it feels like you can’t move for the things. Love isn’t all around anymore – as The Troggs once sang – audio streamers are! Krell’s new Connect needs to be special then.

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