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Hart Audio may not be a household name but David Hart’s Isle of Wight-based business has a refreshing approach to audio design and high-quality UK manufacturing, as well as a growing number of passionate customers appreciating service and bespoke production. Hart Audio sells its speakers direct in the UK so you won’t find its speakers at your local hi-fi dealer. The new incarnation of the imposing EVO1 commands attention even when it’s silent. Two large, understated enclosures per channel, each boasting a purposeful 12in driver hints that you’re about to hear something different.

Music centres combining record deck, cassette recorder and tuner were big business back in the late seventies through to the early eighties, with fans keen to enjoy music at home on all the main analogue formats of the day. Today in the mostly digital era the idea of the ‘one box does it all’ approach goes against serious audiophile thinking, with the general consensus being that dedicated components being assigned to specific tasks is the best way to guarantee pure, interference-free playback of your music collection. With the world of audio moving towards streaming and downloads, we’re told that the desire for physical digital media (CDs) is falling rapidly. So, what to do with that sizeable CD collection and how best to migrate to streaming are regular questions being asked by music fans looking to move with the times to a less tangible music playback system.

A preamplifier’s life is not a happy one. In the olden days, when mammoths roamed the wild planes and Duran Duran were at number one, its job was clear. A preamp sat in front of the power amp, because without it there was no way of getting music from your sound source. Music came from vinyl, and its meagre output was such that plugging it directly into a power amplifier would have produced all the power, as Captain Blackadder once said, of an asthmatic ant.

When the first Walkman cassette player went on sale in 1979 I lusted after it almost as much as I did Debbie Harry. Then everything went digital and Sony forgot that the reason the Walkman sold so well was because it was the best player of a universal format. The first network Walkmans weren’t compatible with MP3 files, but Sony changed tack and embraced MP3, and the Walkman re-emerged – as did Blondie – so that both enjoyed moderate success albeit, both a shadow of their former selves. Fast forward to today and the tide may look high for MP3, which is good news for audiophiles.